Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Domenicho Ghirlandaio
Abendmahl

ID: 29400

Domenicho Ghirlandaio Abendmahl
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Domenicho Ghirlandaio Abendmahl


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Domenicho Ghirlandaio

Renaissance Artists , 1449-94  Related Paintings of Domenicho Ghirlandaio :. | Christus in der Gloriole mit den Heiligen Bendikt,Romuald,Attinea und Grecinana | Nera Corsi Sassetti | Evangelist Johannes | Details of Abendmahl | Details of Tempelgang Marias |
Related Artists:
Allan Ramsey
1713-1784 Rococo,Scottish
Tadeusz Makowski
(21 January 1882 - 1 November 1932) was a prominent Polish painter active in France for most of his life. He was born in Oświęcim. Makowski attended the Academy of Fine Arts in Krakew. He studied under Jan Stanisławski and Jezef Mehoffer. In 1909, he departed for Paris. Makowski started off as a landscape painter but then shifted towards Post-Impressionism and Cubism. However, he is arguably most famous for his rural landscape paintings. He met Pablo Picasso,who was his good friend.
Leopold Graf Von Kalckreuth
1855-1928,German painter and etcher. The son of the late Romantic landscape painter Eduard Stanislaus, Graf von Kalckreuth (1820-94), he studied from 1875 to 1878 under Ferdinand Schauss (1832-1916), Willem Linnig (1819-85) and Alexander Struys (1852-1941) at the Kunstschule in Weimar founded by his father. In 1879, after military service, he enrolled at the Akademie in Munich, where he attended Gyula Benczer's drawing classes and continued his study of painting under Karl Theodor von Piloty and Wilhelm von Diez (1839-1907). In 1883 he travelled to the Netherlands and then to Italy and France. In 1885 he accepted a teaching appointment at the Kunstschule in Weimar, but in 1890 he resigned and returned to Munich. During the next five years he worked at Heckricht in Silesia (now Jedrzychowice, Poland), perfecting his oil technique. In 1892 he was a founder-member of the Munich Secession. Kalckreuth's work from this period reflects the influence of several contemporaries; the portrait of the Artist's Wife of 1888 (Leipzig, Mus. Gesch.) recalls the portraits of Franz von Lenbach and Max Liebermann, while the visionary element brought to the genre scene Rainbow (1894-6; Munich, Neue Pin.) is close to the work of Fritz von Uhde.






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